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Gibson/Maestro Guitar
Autographed by Blues Stars Offered on Ebay
Signed Gibson/Maestro Acoustic Guitar
THIS IS THE PERFECT GIFT FOR THE BLUES FAN IN YOUR LIFE! All of the
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Guitar Signed by:
Duke Robillard, Tab Benoit, Walter Trout,
Biscuit Miller, Gina Sicilia, Lonnie Brooks, Motor City Josh,
Little Ed, Coco Montoya, Sonny Landreth, Jimmy Thackery, Rick
Estrin, Tinsley Ellis, Eddie Shaw, Michael Burks, Charlie
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out!
CERTIFICATE OF AUTHENTICITY PROVIDED TO WINNING BIDDER.
All
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____________________________________
DBS Announces 2010
Headstone Projects

The Detroit Blues Society (DBS) has announced it’s annual headstone placement projects for 2010. This year’s fundraising and placements will be for Uncle Jessie White and Mr. Bo Collins. The DBS has received permissions and blessing from the families of both legends and the process has begun, in earnest, for 2010. As in past years, the effort will be spearheaded by DBS Board Member, Wolfgang Spider. Several fundraisers are being planned as well as the placement of collection buckets at all DBS events in 2010. He also performs all of the research into these endeavors.
The DBS proccess of properly and respectfully marking the graves of Detroit Blues Legends began in 1997 with the first DBS project of marking the grave of Son House, who spent his final years in Detroit. This activity was completed and subsequent placements have been done for Clarence and Curtis Butler (the Butler Twins) in 2007 and Calvin Frazier in 2009. The DBS was also involved in the marker placement for Big Maceo Merriweather in 2008, by Steve Salter of Western Michigan. These projects are vitally important to Blues lovers and historians alike. Proper recognition of deceased Detroit Blues greats is vital to teach history and to keep the nusic alive through rememberances.
Mr. Bo Collins
When Detroit blues artist Mr Bo recorded “If Trouble Was Money” on the Blue Suit label in February, 1995 it had been 20 years since he had recorded professionally. Highly regarded for a handful of 45s he had recorded for various Detroit labels during the '50s, '60s and '70s, his recording career had take a long hiatus while his live performing career continued to thrive. Louis Bo Collins was born on April 7, 1932 in Indianola, Mississippi; he moved north to Chicago in 1946 and settled in Detroit in the early 1950s. Befriended by Washboard Willie, his growing interest in performing the blues was encouraged, and he was soon playing house parties throughout Detroit, performing with the likes of John Lee Hooker, Eddie Burns and Little Sonny.
Under the name "Mr Bo," Collins began a recording career in 1959 which would eventually be responsible for some of the finest blues ever to come out of Detroit. The singles reveal a singer and guitarist influenced by B B King and T-bone Walker, but they also reveal an artist who created a blues style that was uniquely his own. Perhaps the most enduring recording from this period is "If Trouble Was Money," penned by his brother Little Mac Collins and covered by many since its 1966 release. This disc contains some of the best of Mr Bo's classic songs and some new original compositions. Backed by a strong band with which he had played the past several years, he used these sessions to lay down track after tarc of some of the finest music of his life. Sly, Mr Bo never lived to see “If Trouble Was Money” issued. On September 19, 1995 he succumbed to pneumonia at Detroit's Harper Hostipal. Only 63, Mr Bo's death brought to a close the career of one of Detroit's finest blues artists. The blues on "If Trouble Was Money" serve as a testament to the career of Louis Mr Bo Collins.
Uncle Jessie White
Jessie moved to Detroit in 1950 after spending his youth picking cotton in the fields of Mississippi and playing in local juke joints in Jackson. During the riots of 1967, when many blues and jazz clubs closed in Detroit, Uncle Jessie White and his family hosted weekend blues sessions that lasted throughout the night. The jam sessions were held on the weekends from Friday evening after work, until Monday morning - only stopping for the weekdays so that the musicians could go back to the assembly lines in Detroit's auto factories. Blues musicians, students of blues and curious neighbors came from miles around to witness and dance at the weekend long house parties on 29th Street. The sessions continued through 1971 and are well-known for the local and national talent that passed through to play at the famous house.
Jessie taught many Detroit musicians during those jam sessions and became a mentor and father figure to many more. Harmonica Shah called him “the real deal – one of a kind”. Ann Rabson of Saffire loved him dearly and would always make room for him on her shows in Detroit.
Jessie also traveled throughout Michigan, the United States and Germany, playing his music, leaving his warmth and charm wherever he went.
He played at many Detroit blues clubs such as at the famous former Soup Kitchen where he ran the weekly jam sessions. His 20-year-tenure ended in 2007 at the former Attic Bar in Hamtramck, where he led the famous Detroit 29th Street Blues band on the piano.
Jessie’s fans will never forget his home made ‘rig,’ which held his harmonica and microphone. Blues Factory records helped to record his music on CD in 1991, and his fans can still listen to his sweet singing for many years to come.
Uncle Jessie White, beloved family man and Detroit blues elder statesman, went home to be with the angels on January 29, 2008 at the age of 87.
Media
Contacts:
Steve Allen/DBS PR -
steveallen@detroitbluessociety.org -
(248)-249-5287
Wolfgang Spider – DBS Project Coordinator -
spiderblues@sbcglobal.net - 734-455-5135
_____________________________
RAY CHARLES STATUTE
DEDICATED
Ray Charles is back in his hometown of Albany,
Georgia. The town unveiled a revolving, lighted bronze statue
of Charles on Friday in a new downtown plaza bearing his name.
Family members attended the musical ceremony honoring the city's
most famous native son. Charles was born in Albany but moved to
Florida with his mother when he was young. He frequently returned
to his hometown to visit family.
The singer passed away in 2004 at
age 73. His version of "Georgia On My Mind" was made the official
state song of Georgia in 1979, 19 years after he recorded the
chart-topping hit.
###
Cleveland White aka ’Schoolboy Cleve,’ Blues Musician, Passes Away
at 82.
Cleveland White, a blues musician known as ‘Schoolboy
Cleve”, passed away Tuesday, February 5 in Daly City,
California. White, originally a native of Baton Rouge, Louisiana
was a longtime resident of San Francisco. The 82-year-old singer,
harmonica player, and guitarist recorded for J.D. Miller’s Feature
Records and Johnny Vincent’s Ace Records during the 1950s.
White’s break in music came through Lightnin’ Slim, aka Otis Hicks,
beloved swamp-blues artists who recorded at Miller’s studio. White
worked with Sonny Boy Williamson, Muddy Waters, Buddy Guy and San
Francisco rhythm-and-blues artist Ron Thompson.
“I was honored,” Thompson said this week of working with White. “I
consider him an early rock n roll person. He was always
inventive.”
White began performing professionally at 12. Sonny Boy
Williamson gave White some harmonica instructions during one of the
blues star’s Baton Rouge visits.
“These bands would come into the area to play in these little
clubs,” White remembered in 2006. “And people was telling about,
there’s this schoolboy around here who plays the harmonica real
well.“
White served in the U.S. Army during World War II, and returned to
Baton Rouge working a day job and playing music at night.
“Music, deep in my heart, is my life,” White said in 2006. “But I
had to carry a job, too. I was determined to have a good family
life and still do my music. It took a lot of heart and pain and
discipline to do that.”
During the 1950s, White encouraged a musical friend, James Moore,
to pursue his musical interests. Moore, a.k.a. Slim Harpo, later
released national hit records.
White moved to San Francisco in 1959. He stopped performing in the
1960s, but eventually returned to music. White played the first
1973 San Francisco Blues Festival and formed his own record
company, Cherrie Records. He released his first CD, a retrospective
collection called “South to West: Iron and Gold,” in 2006.
White is survived by his wife, four children, five grandchildren
and six great-grandchildren.
###
Detroit Blues Legend Uncle
Jessie White Passes Away at 87
Uncle Jessie White, beloved family man
and Detroit blues elder statesman, passed away on January 29, 2008
at the age of 87. Uncle Jessie White was known for delivering
the deep-delta blues in his own manner. He was characterized
as the hardest working blues musician in town with his singing,
harp playing, and pounding the piano. Jessie’s passing left many
adoring family and friends mourning and honoring his life as he
touch many during his tenure on earth.
Jessie moved to Detroit in 1950 after spending his youth in
Mississippi and playing in local juke joints in Jackson,
Mississippi. Jessie was a self-taught player devoting himself
full time to music after retirement in the late 1980s. His work was
infused with the down-home Delta sound he experienced while growing
up. He abstain from standard song arrangements favoring loose
improvisations, keeping band members alert as he called out
off-the-cuff chord changes.
"I don't always like using the word 'authentic,' but that's what
this was," said Betty Brownlee, who played bass in White's band,
The Detroit 29th Street Blues Band. "He never changed his style --
he kept true to what he knew." "He loved playing the music, loved
playing for an audience," she said. "He thought it was really
important for younger people to carry on the tradition, and he
talked about that quite a bit."
He helped lead the weekly jam sessions at Detroit's Soup Kitchen
blues bar. During the riots of 1967 many blues and jazz clubs were
closed in Detroit. Uncle Jessie White hosted weekend blues sessions
throughout the weekends from Friday evening until Monday morning.
The sessions would stop for the week so the musicians could go back
to the Detroit's auto factories. People would come from miles
around to witness and dance at the weekend long house
parties. These sessions went through 1971 and are well-known
for the local and national talent that came to play. Jessie taught
many Detroit musicians during those jam sessions and became a
mentor and father figure to many. Jessie also traveled
throughout Michigan, the United States and Germany, playing his
warm and charming music wherever he went. He played at many
Detroit blues clubs including the famous former Soup Kitchen where
he ran the weekly jam sessions. His 20-year-tenure recently
ended at the former Attic Bar in Hamtramack It was at this
location where he led the famous Detroit 29th Street Blues band on
the piano. Jessie’s was known his home made ‘rig,’ holding
his harmonica and microphone. Blues Factory Records helped to
record his music on CD in 1991, allowing his fans to listen to his
sweet singing and performing.
Jessie was preceded in death by his wife, Lillian White a sister,
and brother. He and Lillian raised nine children: Jessie Lee
White, Sherry White, Roselyn White, Danita Denham (Calvin), Janet
Webb, David White, Anthony White, Derrick White (Renee), Pam White
(Gregory).
He is survived by 24 grandchildren, 7 great-grandchildren, his
sister, Martha Ann Kent (Robert), nieces and nephews.
http://www.myspace.com/unclejessiewhiteandthe29thstreetband
###
Francis Clay - Star Blues Drummer – Passes Away at
84
Francis Clay, whose drumming helped propel blues great
Muddy Waters' band died on Wednesday January 23rd. He was 84.
Mr. Clay was an esteemed elder statesman among local blues
musicians and fans since arriving in the San Francisco Bay Area in
the late '60s. He played with many renowned entertainers of the
20th century: Gypsy Rose Lee, Charlie Parker, Dizzy
Gillespie, John Coltrane, Jimi Hendrix, Howlin' Wolf, John Lee
Hooker and many others.
.
Mr. Clay was well known for his cheerful
demeanor in the music community. "He was so damn happy about
everything," recalled photographer Rosa Schuth, a longtime friend.
Nancy Deutsch, who leads a writing group Mr. Clay participated in,
noted he recently had been laughing and reading his poetry for a
listening audience.
Mr. Clay was a drummer for Muddy Waters which included a 1960
appearance at the Newport Jazz Festival. This was a first by a
blues performer which was documented on the "Live at Newport"
album. Mr. Clay's innovative, jazz-inflected style did not
immediately mesh with Waters' down-home blues. However it was not
long his popularity increased and nightclub patrons were lining up
to hear him.
Mr. Clay began drumming as a boy in Rock Island, Illinois making
his own with sticks and drums. He stated playing professionally by
14 and at 16 was hired into the Jay McShann Band, which included
Charley Parker and Dizzy Gillespie. He went on to form his own
group and worked on riverboats, the circus and in Chicago-area jazz
bands. Mr. Clay also performed with Waters' harmonica player James
Cotton and worked with other Chicago blues artists such as Jimmy
Reed, Otis Rush and Buddy Guy. Mr. Clay rejoined the Muddy Waters
Band in 1965. Stones drummer Charlie Watts called him "one of the
most exciting drummers" he'd ever seen or heard.
After coming to California on tour in the late '60s, Mr. Clay, who
suffered from asthma and arthritis, decided he liked the California
weather. He relocated to San Francisco and accept recording work
backing up greats as Big Mama Thornton, Lightnin' Hopkins, Clifton
Chenier, among others.
Some of his last recorded appearances were on Roy Rogers'
"Slideways" album and Johnny Dyer's "Rolling Fork Revisited," with
harmonica player and bandleader Mark Hummel.
Mr. Clay is survived by a son, Lonnie Lowe, a Minneapolis preacher.
(1/27/08)
###
State of Texas Historical Marker Unveiled at Home
of Janis Joplin
An official Texas State Historical
Marker was unveiled in front of the house Janis Joplin once lived
on the anniversary of her 65th birthday. The marker was inaugurated
on Saturday, January 19th at the home in Port Arthur, Texas where
the famed singer spent part of her youth. Janis Lyn Joplin was born
on January 19, 1943 leading a triumphant and tumultuous life before
passing away on October 4, 1970. Her family moved to Port Arthur,
Texas, located on the southeast coast when she was four years old.
They moved away in 1975. The first childhood home of the famed
singer in the same town was torn down in 1980.
The Port Arthur Historical Society initially drew up plans for the
marker about three years ago. However the marker honoring the famed
celebrity was delayed because of Hurricane Rita. Joplin had a
complex relationship with her hometown being taunted in high
school, shunned, and considered an outcast. Many local
newspapers in the community only briefly mentioned her passing away
in 1970. In 1988, Port Arthur memorialized her with a bronze,
multi-image sculpture prior to the present marker embracing the
famous resident.
In high school, she pursued non-traditional arts, literature, and
music gravitating to folk, jazz, and blues. Janis began copying the
styles of Bessie Smith, Odetta and Leadbelly. She sang in the choir
and played in small town Texas coffee houses before becoming the
lead singer in Big Brother and the Holding Company. It was in the
summer of 1967--the "Summer of Love"—where Big Brother played at
The Monterey International Pop Festival. Janis smashed into the
public’s eye with Big Mama Thornton's song “Ball and Chain."
The band met great success and play together for the last time in
December, 1968.
Eventually Janis formed a new group more oriented towards blues
called the called Kozmic Blues Band. They released a new album "I
Got Dem 'Ol Kozmic Blues Again, Mama" in September of 1969.
She formed a third band, called Full Tilt Boogie Band, which
evolved towards more professional popular sounds. While recording
her next album "Pearl," she accidentally overdosed at the age of
27. Her third album was released posthumously to wide acclaim,
launching the popular songs "Me and Bobby McGee" and Mercedes
Benz."
Fans still come to see the house, says the Alicia Sanchez, the
home's current owner. Sanchez claims she didn't know anything about
the house's history when she moved in 10 years ago. "One day I just
saw a TV crew out here shooting and I thought 'What's going on,"'
she said.
I asked what they were doing and they told me that [Janis
Joplin] used to live here. And then I started having people knock
on my door, asking to see my house."
The Sanchez family
joined several dozen fans and former neighbors for the unveiling
while an acoustic recording of Joplin singing Me and Bobby McGee
was played.
"The thing that bugs me is that it took so long," Joplin fan Pete
Tauscher, 58, told the Beaumont Register newspaper. "But I'm really
glad to see they're doing something for her now."
###
CANADIAN
HONORS FOR KIM WILSON OF THE FABOLUOUS THUNDERBIRDS
Kim Wilson,
founding member of The Fabulous Thunderbirds, will be inducted into
the Canada South Blues Society's blues museum on February 22. The
museum is located in Oasis Lounge at Place Concorde, 7515 Forest
Glade Dr. Windsor, Ontario, Canada.
Wilson, turning 57 on January 6, 2008 formed The Fabulous
Thunderbirds in 1974 with Jimmie Vaughan. Born in Detroit, but
living much of his early life in California, originally studied
trombone and guitar. He later switched to harmonica after
discovering blues music while in high school.
Wilson still regularly tours with The Fabulous Thunderbirds current
lineup. Jimmie Vaughan left the band in 1989 initially to team up
with his brother, Stevie Ray Vaughan. He began a solo career
performing following Stevie Ray's death in the summer of
1990.
Wilson will be accompanies by Doug Demings and the Jeweltones at
the event. Ticket pricing and other information: e-mail Louise
Boomer at louise@bluesociety.ca
###
Blues Artist 'Weepin'
Willie Robinson Dies at 81
"Weepin'" Willie Robinson, a blues
singer who performed with many legends of blues passed away at age
81. Robinson’s life had been distinctive with various occupation as
an Army veteran, blues singer, and friend of many performers,
including B.B. King.
"He was truly the elder statesman of the (Boston) blues. He was our
godfather. He was the most dear man," Holly Harris, host of "Blues
on Sunday" of WBOS radio. When he sang, "you knew he meant it
because he had passion."
Robinson was born in Atlanta and worked with his family up and down
the East Coast. After serving in the Army in the 1940s, he became a
master of ceremonies and doorman at blues clubs in Trenton,
N.J. It was there he met B.B. King and other blues legends.
He eventually sang with King's 21-piece orchestra.
Lorraine Robinson, his daughter, stated her father found his place
on stage.” A great smile would come on his face and he would be in
his own little world, like he'd tune everything out," she said. "He
just, like, felt the music. It was so much in his soul." When the
stage lights came up, Robinson found his place singing standards
like "Fever," original songs like "Weepin' Willie's Boogie Woogie,"
or "I've Got a Woman," the Ray Charles classic.
Robinson performed
everywhere from local clubs to the rest home where he lived.
Robinson was noted for singing on Friday nights at a local
establishment a few times a month. "Even at 81 years old, he would
get up and sing to the ladies in the crowd," said Gary Barcus, a
bass player with Weepin' Willie and the All-Star Blues Band.
Eventually, some women in the crowd would have a few drinks and
start hanging onto him. "We'd have to defend him a lot of the
times. . . . We were afraid he was going to get knocked over,"
Barcus said.
In 1991, he recorded a song he wrote called "Can't Go Wrong" as
part of a compilation CD put together by musician Chris Stoval
Brown. Robinson updated the lyrics as he got older, but the spirit
remained the same: a playful homage to the ladies. "Just because
I'm over 60, don't think I'm a dirty old man," he sang. Robinson
recorded his first solo CD, at age 72. "At Last, On Time" featured
Susan Tedeschi and Mighty Sam McClain.
Robinson settled in Boston in 1959 and played in clubs. However, in
2005 it was learned he was living on the street and out of touch
with his family. Blues performers held a benefit concert and made
sure he was fed and clothed. He moved into a residential care
facility and continued to perform often with visiting performers.
He gave a Christmas performance for the residents last week. He
said that singing helped to numb the arthritis in his knees,
recalled Merlin Southwick, the executive director at the home.
"Physically, he was a man who was starting to show considerable
frailty. But his voice was in enormous strength," said Southwick.
"You could hardly believe when you heard him sing that that voice
was coming out of that man."
###
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